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coaxing each composition along until it reveals itself to him as being finished
This series of work is about time passing
That digital montage became the model for the first painting
manipulating images and arrangements of objects in order to challenge the perception of the viewer
straight lines are not colours but materials
Perfect Coincidence 22 NULL Tilman coaxing each composition along untilThe Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearing coloured paper and letting it fall freely, guided by randomness. The artist chooses a canvas cloth laid upon the workbench as the recipient of her creative experiment. In this series, the compositions come alive through an unplanned dance of colours. Each piece records a
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